Casts Jeremy Strong
Resume Mickey Pearson is an American expatriate who became rich by building a highly profitable marijuana empire in London. When word gets out that he's looking to cash out of the business, it soon triggers an array of plots and schemes, including bribery and blackmail from shady characters who want to steal his domain
8,2 / 10 star
director Guy Ritchie
audience Score 120553 vote

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Watch Džentelmenid [2019] Movie Online Free streaming film. Watch Džentelmenid [2019] Movie Online Free streaming sur internet. Watch Džentelmenid [2019] Movie Online Free streaming vf. Watch džentelmenid 2019 movie online free streaming 2017. Now, if you've seen Snatch and Lock Stock, watch a One minute trailer for Gentlemen and you'll know exactly what you're in for. This is what Guy Ritchie does best. Is it mildly formulaic? Yes, but is it a fantastic watch? Yes! And I have to say, that's kind of the point when you're going to the big screen. In essence it's a story about a drug lord trying to get out, but can't, with all the classic Guy Ritchie antics along the way.
I've read some of the "critics" on this movie and find that once again they're completely off the mark when it comes to understanding what audiences want. The nearly all male cast was on point. We know Guy Richie doesn't write compelling female characters (circa Rock n' Rolla) so why waste your time - and what's wrong with "enticing a male-heavy demographic" The anti-woke jokes and witty dialogue were on point. The classic boxing ring side scene (and even the car trunk scene for that matter) proved this sentiment exactly - men cuss each other out of love, get over it - and was a much needed middle finger to today's socio-political environment (as other recent movies (The Joker) have also compellingly done so.) And finally, the spaghetti western meets London gangster ensemble was also on point. It is what he does best, so why fix something that isn't broken?
For the so-called critics and toffs too blind to see something deeper, look past the realistically played London yobbos and see snapshots portraying the very real London class and generational divide. Look past the slapstick humour and see the changing face of London portrayed through it's changing music, it's variety of faces, it's changing dress sense, it's issues with knife crime, the destruction of today's youth potential by hard narcotics, the story of a gym coach training disadvantaged youths to be better and see that a woman can run a successful high end car garage. The obligatory woke nod had to be there, but it didn't feel as such because it wasn't forced (MU EndGame or Rise of Skywalker) but actually relevant to- and impacting the storyline in significant ways.
Performances were fantastic bar a few minor accents fails, and although I was sceptical about Hugh Grant playing (gay? gangster I was very pleasantly surprised! I'm not sure the very British humour (including it's cuss words/phraseology) will be understood by those outside the UK but am sure it'll be the reason this movie gets poor ratings. I loved the Toddlers, their intro and names were hilarious as was their fighting, acting and portrayal within London today. I thoroughly enjoyed the Easter Eggs; the nod to Quentin Tarantino style camera/film pull-back and on-screen scribbling, the parody of poorly dubbed Chinese films, the visit to Miramax, and the moment when Michelle Dockery (who plays Rosalind) had her Will Smith style MIB deadly-pea-shooter moment were all just brilliant.
My only beef, a potential plot hole that came at the end, the shooting from the back of the van. How did they know where to be and who, how. Maybe I missed something, but that seemed like a hole that ruined the end for me.
Overall, a definite return to form. Classic Guy Richie story, done well, modernised, with a peppering of just the right amount of anti-woke and British humour to make you laugh from start to finish.
Even my very "proper" wife enjoyed it.

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